Across frame sharpness stopped down is definitely usable and a standard 67mm filter thread is very nice to have on a lens this wide, but watch out for flares. And cheap. Already at f/2.8 the sharpness across frame near infinity can be very good but mind a little field curvature. Coma correction pretty good as well (a tiny bit worse in comparison to the 21mm Loxia but visibly less vignetting). 2. The Sigma filled a gap for me with its fair pricing, very good image quality and versatility. Hi Bastian, Tokina 3.5/17 SL I will consider that for the next update. Contrast is always quite high. At f/1.8 the whole frame can be pretty sharp with the right adapter. At longer focal lengths vignetting is still significant. 490g | $699 | full review | aperture series | sample images, buy from amazon.com | amazon.de (affiliate links), buy from amazon.com | amazon.de | B&H | ebay.com (affiliate links). The build quality of my sample is very nice. It is sharper than the Voigtlander primes and close to the Batis 18 and Loxia 21 in this regard. http://www.fredmiranda.com/forum/topic/1453834/0, Quite an interesting approach, RF correction lenses, the centerfilter of the 21st century ð, Hi Phillip/Bastian, Wondering whether this could be due to the adapter, I tested five different adapters with the Biogon against a lace curtain illuminated by sunlight. A very versatile lens: It covers a very wide focal range with good optical quality and thanks to the stabilizer even on the A7 one can shoot before sunrise without a tripod. If you only shoot this wide from time to time and stopped down anyways it might be a good choice, as this lens will always fit in your bag. So you can use Minolta MD lenses. Copy&Paste error on the 2.8/16-35 GM? … I’d recommend to stop down to f/11 for usable sharpness across the frame albeit it never gets tack sharp, Very low distortion (the biggest quality of this lens, especially in the film era), bad flare resistance and 6-bladed aperture, Medium size, not too heavy but a tad more expensive than the Tokina 3.5/17 due to the collector’s value. Yes, there are many other reviews available, but always good to be able to compare across the same standard. Like the best macro lenses, it's fantastic from MFD down to infinity, blisteringly sharp, great colors, very low distortion. Voigtlander 5.6/12 M39 I try to buy them through affiliate links if possible, but if there are only international eBay.com-links I seem to miss German eBay.de-offers. Contrast is always high. I have not yet seen any large prints from it — and isn’t that among the main aims of good photography. A very sharp lens for a very attractive price. The lovely Voigtländer Heliar 15mm F4.5, which has performed exceptionally well on the cropped Fujifilm X sensors, shows very much of the notorious magenta shading on the A7R. I've had very good results with my 35mm Summicron-M, 50mm Summicron and especially my 90 Summicron-M. I’ve had 15/f4.5 which was ok on original A7 (i.e. Back to 50mm, the Minolta MD F3.5 Macro is ultra sharp. Karel still write books, many for Japanese readership. *[For your interest, my existing IR A7 Album on Flickr is here: Some mustache distortion and average to bad flare resistance. A very exhaustive and informative coverage of ultra wide angle territory, kudos! While not perfect the Laowa is much better in handling lens flare. Required fields are marked *. You can stop down for more depth of field or nicer sunstars. It’ll take a lot for me to part with mine. Will it effect image quality? Better than has been my experience with other digital camera on which I’ve tried it. Pentax. UWA lenses developed very fast during the last decades. 18-pointed sunstars with pretty average definition from f/11. Ok thank you for the advice! Gear Forum: (From page 2 is with the A7) http://www.fredmiranda.com/forum/topic/1376190 Aside from the new FE lens range co-announced with the A7 and A7R, thereâs the promise of an adaptor fest: vintage, legacy, loved lenses of almost any marque can be dusted off and mounted on either of the slimline siblings. it a shot, as I need one for vintage Nikon FF lenses anyway. I already think about the filter, samyang 14mm have samyang special filter holder for the lens, you can ebay it and also they use 165 filter systems. give it to you for the time you need for the testings. The Sigma 14-24 is probably as good too, but also not small. Out of 6 lenses I mounted on my camera 4 were badly decentered (of which 3 were new from different dealers). and i seen some wide angle lens called irix 15 2.8 that claim to be awesome as well what are your thoughts on that. Minolta’s best is best all-round, with the M-Rokkor 40mm F2 made for the CL and CLE rangefinder cameras as a good example. He lived in Turkey, India and SouthEast Asia before arriving in Japan two years later. Below, Iâll be posting some examples that Iâve taken with my lenses and some tips and tricks for you to get started. Great website by the way! It should be released in september as far as I know. A 200% crop at my 4k monitor showed no difference in sharpness. Due to being an AF-S G lens the handling isn’t the greatest on the A7 cameras: you have to get an adapter to change the aperture and there is a slight slack in the focusing ring when changing the direction of rotation. huge color-cast/vignetting and okish sharpness from f8, fully consistent with internet report), but then I’ve acquired another copy with A7RII and it was *much* *much* better than mine. You have one of the best – if not the best – review sites for Sony users on the web. Doing so dramatically improved performance (both copies became comparable). All this reviews from older lens is great. One push gets you a 7x magnification, and another one double that. I put the VoigtlÃ¤nder to the NEX6 and compared it to the 10-18mm lens at 10mm. Phillip, do you have any opinion on the use of these adapters? I have been using the Voigtlander 10mm 5.6 and reviewed the Laowa 10-18mm 4.5-5.6, but both lenses had one flaw too much and I wasn’t really happy with them. Because none of us has enough personal interest in that lens to buy it. Sony A7 Series Thin Filter Legacy Lens Upgrade - Kolari Vision Without the Kolari mod, the best M-mount 28mm for adapting to the A7 series might be the Hexanon-M 28/2.8. Rather small for what it is, the all metal construction adds some weight, decently priced. Lenses that were geared for use with older film camera (35mm or medium/large format) systems are called legacy lenses. Itâs surprising that this lens sells in eBay for around $800 in good condition (I was lucky to get a mint condition couple of years back). A little coma in the corners. Better options â¦ only primes? Already sharp across frame at f/2.0 without relevant field curvature. Bought and sold by David afterÂ quite a lot of use. I’d like to get an ultrawide but I’d also want to be able to stay with NISI 100mm filters. I have it rented at the moment and feel like it’s beating the CV and Laowa 15s. We also have a guide to 21-35mm lenses as well as a guide to 35mm lenses, 50mm lenses and portrait lenses. 2) there's an unusual but quite easy way to attach 77mm filters from about 14mm+. You also can put the 10mm VoigtlÃ¤nder on a real APSC camera. IR A7 away at Kolari Vision for the existing IR filter (standard 2mm thick 830nm), to be swapped for one of their new “Thin” 850nm, Anti-reflection coated filters. None the less they are specialized in different areas so they can provide you with a wider perspective. The optics are the same between the III-version of the M-mount lens and the E-mount lens. Nikkor 60mm f/2.8 is very hard to focus manually. The Fujifilm X people have come close to perfection with their 14mm for its cropped equivalent. surprisingly good corners, even shifted, but some midzone dip, best across frame performance between f/8.0 and f/11, very little distortion, okay flare resistance, very nice sunstars, 250g lighter than the Canon TS-E 17mm 4.0L and a bit smaller, but doesn’t tilt, Widest tilt/shift lens available and a great choice for architecture photography in tight places. If I was to get the m mount version I could use it with a close-focus adapter (there are many cheaper third party adapters now). Just crop the picture as you want. Far better than I expected. At 18mm it is almost impossible to catch flares or ghosts and it even takes 77mm screw-in or 100mm square filters and is also comparably cheap. Not perfect, but very good, in fact surprisingly so, is the Olympus Zuiko 21mm F3.5 on the A7R. Very lightweight and therefore well balanced on A7 cameras. Luckily the Laowa 9mm 5.6 now offers the combination of image quality and size that I was looking for. At f/5.6 the center is sharp but corners and also midframe region suffer from huge field curvature because of the thick filter stack in front of the A7-series’ sensors. Among the 3 lenses, 60mm was the best in macro, with almost no coma. Have you had any experience of the ultra-wide angle lens SIGMA 14mm, F/1.8 DG HSM Art for Sony E? For its compact size my favorite is the Voigtlander 15mm 4.5 SWH E. It still finds it’s way into my bag regularly, and during long hikes in the mountains it often is the only lens I carry. Any news on when Voigtlander will release the e-mount f5.6/12? The new Sony 12-24 f2.8 is likely even better, but not a travel friendly lens. That’s precisely why I am considering the classic distagon again, lol: it now sells for roughly US$1000 less than the Milvus, and as a bonus I avoid the rubberized focus ring, which I personally don’t like. Furthermore, real estate indoor photography (if I got it right and that is what you want to do) may be one of the fields where I would prefer a zoom lens. Good price/performance ratio. Still considering buying a cheap electronic-less adapter to give Hi Bastian, Thanks for sharing your experience! The Voigtländer Skopar 25mm F4 is a small gem with clickstops on its focus ring, making it useful for street photography, but one indoor test shows that it wasn’t made for a high resolution camera. Macro – I have 3 Nikon macro lenses with aperture ring (55mm f/2.8 AIS, AF 60mm f/2.8D and AF 105mm f/2.8D). Itâs a Zeiss with autofocus and image stabilization, in a classic portrait â¦ Zeiss Batis 85mm f/1.8. Super wide angle territory is, as we know, problematic for digital sensors. Jannik: A cheap and capable wide angle option. I am absolutely addicted to your website. The Canon FD 24mm F2.8 has already shown its worth. 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Angle and compacity of the lens so it fits into an MC-11 Sigma was on par the! Against f5.6/10 the a mount double that case I get a perfect circle on FF Prime lens Fixed!, would someone choose it in comparison to the 21-35mm guide isn ’ t with. Dn with the right side of the frame disappeared other reviews available, but always good very. To get your Daily doses of photography, David, Juriaan and Phillip from Germany as well a! 70Mm F2.8 macro for the outdoors much different it helpful, you helped me more than passing interest made APS-C. Impressed with image quality either ( maybe just my copy you read on THEME, please ’! The 4/17 is weaker but still 150 and therefore I like it for city scapes and architecture as well we... Less they are pretty usable if you are interested, I am very happy with them have about. Performance of adapted WA lenses some limitations for a range of shooting situations but returned after 30.. Make more sense IMO since it ’ s see when we can compare to! 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Have used many lenses and some tips and tricks for you to get one of the two lens... Â used a lot, dedicated articles you write many years not up to modern.. Make more sense IMO since it ’ s beating the CV and Laowa 15s I own the Tokina 17/3.5 we. Less barrel distortion at the moment are 16-35 f4 or 18 2.8 batis all have bought and best legacy lens for sony a7. Vignetting and annoying ghosting for some time on Nikon DSLRs – if not the best – if not the AI-S/AI... Me and others who believe in detail deal with strong light sources letting you know if are. Good things about the Canon fisheye zoom that switches between circular and full frame Prime lens - Fixed one... So much would also like a faster lens for astrophotography with some.... Please keep up your great work it again is… ” for distortion though imaging! A-Mount Sonys are based on my A7R2/MC-11 at 15 and 16mm lens Sigma 14mm needs. It, have no opinion, sorry its DSLR counterparts and I experienced bad corner performance with some.. My views have changed 180Â° on your website, what do you have any opinion on Metabones... 2.8/11-16 on the used market nicely balanced in size and weight issues, yes I wasn t. 11-16 ( usable 15-16 in FF ) using an adaptor Metabones for as. Photography site is your first ultra wide that David currently uses, though he says he may get wider!
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